The Looks of Literary Women

1874

Some one having revived the lamentable truism that literary women are seldom beautiful; that their features, and especially their foreheads, are more or less masculine, a recent writer points out some exceptions, among them Miss Landon, whose forehead was essentially feminine, and who was exceedingly pretty. Mrs. Stanton, likewise, is a pretty woman, but Miss Anthony and Mrs. Livermore are both plain. Maria and Jane Porter were women of high brows and irregular features, as was also Miss Sedgwick. Anna Dickinson has a strong masculine face; Kate Fields has a good looking, though by no means a pretty one, and Mrs. Stowe is thought to be positively homely. Alice and Phoebe Gary are both plain in features, though their sweetness in disposition added greatly to their personal appearance. Margaret Fuller had a splendid head, but her features were irregular. Charlotte Bronte had wondrously beautiful dark brown eyes and a perfectly-shaped head. Julia Ward Howe is a fine-looking woman. Laura Holloway resembles Charlotte Bronte. Neither Mary Booth nor Marion Harland can lay claim to handsome faces, while Mary Clemmer Ames is just as pleasing in features as her writings are graceful.


Man as a Leaf

Man is no better than a leaf driven by the wind until he has completely mastered his great, lonely duties. If he has no habit of retiring from all that is worldly, and of conversing face to face with his inner man, if he does not draw down upon his soul "the powers of the world to come," then he is no man yet; he has not found the life of man, nor the strength of man; he is a poor, unhappy man, sporting only with shadows, and affrighted before the real and the eternal. He owns a great house, a wonderful house, but it is shut up, and he lives outside with his fellow-cattle; the inside is wholly unknown to him, and he has lived outside so long that he is afraid of the inside. Think, my good brothers and sisters, of the great, high serene world, in which you might live and move and have your being.