1901
"Of all the excuses I have ever heard from people for not paying their bills," said a collector for a prominent firm the other day, "I got the neatest today from a very wealthy man who always owes the house a bill. No matter whether the bill is for $10 or $100, he always pays $5. I have gone back the next week and got $5 more, and once I went back twice in one week, and he paid me $5 each time and seemed glad to see me. I got to know him pretty well, and the other day I asked him why he did not pay it all, as I knew he had the money."
" 'Well,' said the old fellow, "if I pay you everything I owe you at one time you will collect so fast that pretty soon you will be out of a job for the want of something to collect.'
"I don't know whether that was his reason or not, but I let the subject drop and am just going around there now for another $5. — Memphis Scimitar.
Sunday, April 6, 2008
Holding His Job For Him
Wednesday, March 12, 2008
Middle Course Best
1901
"It is hard to say which is the best thing for us," remarked the bill collector. "If nobody paid his bills, we should get no commissions, and if everybody paid them we should be thrown out of a job. Our profession offers no exception to the general rule that a middle course is the safest." — Boston Transcript.
Sunday, July 15, 2007
Peculiar Possessions and Collections
1900
Many people make collections of articles more or less interesting, but possibly few go in for such bulky objects as those chosen by a gentleman of Pontefract, in the north of England. Old doors are the object of his desire and he has a most curious collection. His doors come from old houses, castles and abbeys that have some historical interest. Household Words is responsible for the statement that not long ago he offered as much as five thousand dollars for a door through which, during the French Revolution, Marie Antoinette, Charlotte Corday, Danton and Robespierre passed to the guillotine.
Not quite as interesting in a general sense, but in all probability of quite as much interest to the collector, was a curious collection of corks owned by a Frenchman who died a few years ago at Paris. A fairly good history of his life was to be read on these corks, for he saved every one drawn for the delectation of himself or his friends, and on each he inscribed the date and particular occasion upon which the bottle was opened.
Probably nobody of to-day has a strong desire to bring together a great variety of teas and snuffs. Lord Petersham, however, a noted dandy in his day, had a hobby for collecting various kinds of tea and snuff. All round his sitting-room were shelves, on the one side laden with canisters of Souchong, Bohea, Congou, Pekoe, Russian and other teas, and on the other bearing handsome jars containing every kind of snuff the collector could lay his hands on.
Queen Margherita of Italy is the owner of a curious collection, one that has in it the interest of association. It comprises the foot- and head-gear of royal and imperial personages of different periods. It is said to embrace a sandal worn by the tyrant Nero, a pair of white slippers which belonged to Mary Queen of Scots, shoes worn by Queen Anne and the Empress Josephine, and gloves that were once the property of Marie Antoinette. — Youth's Companion.
Monday, May 28, 2007
Joys of a Collector
1907
Picking Up a Valuable Painting at an Auction Sale
Collecting will always have its romances. I know of one that occurred at the sale at Christie's of the effects of the late Sir Henry Irving. Some one I knew had been to see the collection before the sale. He came across a portrait with which he was familiar because he had seen it thirty years before.
On consulting his catalogue he discovered that the portrait was described as being that of a man unknown, and, further, the artist was also unknown. Now, he knew that the portrait was that of a famous actor by a famous English painter. He longed to buy it, but decided that it would go at too high a price. He went to the auction with very little hope. The Whistler and the Sargent were sold, and then it was the turn of this picture. Nobody recognized it. Finally he had to start the bidding himself, and this he did. Only one man bid against him, but he soon stopped, discouraged, and then the picture was knocked down to the man who had never expected to get it.
He hurried to the desk to pay the small amount and to carry off his prize. "Do you happen to know anything about that portrait?" the auctioneer asked him as a porter took it down to a cab. "I know it very well," said the new owner, conscious that it was now safely his property. "It is a portrait of Buckstone, the actor, by Daniel Maclise. There is an engraving of it in the Maclise portrait gallery." — Mrs. John Lane in Pearson's Magazine.