The Modern Figure

1917

Milady's Boudoir

The modern corset for the beauty figures is a bit higher busted, and curves in a wee bit more at the waist than they have for a decade past, but the finished effect is one of suppleness and natural curves. Anything like rigidity or the stiffness caused by tight lacing is avoided and the new corset is quite as comfortable as the almost boneless model, reaching just above the waistline, which the "natural figure" demanded. Figures are better taken care of by the corset, which offers a little support to the bust and rises just high enough above the waistline not to cut into the flesh when its wearer bends or sits, as the very low girdle corset was apt to do.

This support of the bust is essential in the new basque frock or the snug-fitting girdle dividing bodice and skirt. If they are fitted over a low-bust corset, the unsupported bust bulges over the upper edge and gives a bad line.

The brassiere is an important adjunct to the modern figure, for the new corset-covers of net and chiffon are soft and transparent and something must be worn to hide the corset and break the top line. If the outer blouse is not of transparent stuff, brassieres and corset-cover may be combined in one garment. The material must be firm enough to hold the figure, but under the blouse or chiffon bodice, which demands an equally flimsy corset cover, must be worn a little brassiere of one sort or another.


Every Day Etiquette

"When a new employee comes into the office and is introduced to me, should I rise and shake hands or simply acknowledge the introduction while sitting?" inquired Mabel, the stenographer.

"It is a business affair. You should certainly rise but need not shake hands unless he extends his hand to you. A courteous bow is only necessary in such cases," said her older business friend.