The Lady and the Cobra

1901

An English woman residing in India one evening found to her horror that a huge cobra had coiled itself about her veranda rails, near which she sat playing the violin. She was too near the snake to run with safety, so she continued playing while she gradually edged away. At first her only idea was to keep the creature thus engaged while she escaped, but when she had gained a safer distance and perhaps fascinated by the unwonted sight a strange inspiration seized her. She played air after air of different characters.

The effect was magical. That snake behaved like an ardent, hot blooded disciple of Paganini. Every variation in the music, whether of volume or of tone, produced instantly a corresponding change in the attitude of the cobra. If she played a lively dance, it swayed its body sideways in quick time and yet in graceful curves. Once she struck a number of false notes in rapid succession on purpose, The cobra winced and writhed in pain as if suddenly struck with a whip.

Thus the creature behaved like a mad musician till the lady, getting tired of the sport, gradually worked herself farther and farther and then made a sudden bolt into her room and banged the door, leaving the cobra to wander disconsolate to its lair in the fields.