Thursday, April 26, 2007

Jeanette MacDonald, Nelson Eddy, in "Maytime" (1937)

1937

The ad for the film is from The Ogden Standard-Examiner, Ogden City, Utah, May 9, 1937, page 13-B.

If you click it, it comes up bigger.

My review (2007):

I just got this movie on VHS tape at Goodwill a few days ago. I'm usually real reluctant to buy any more VHS tapes, but it seemed like a good thing to do in this case, for once. And I'm glad I did, because for the most part I liked the film.

I read a blurb about it somewhere on the internet, in which the writer said it was originally meant to be in color. But one of the main promoters died and the head of the studio, Louis B. Mayer, cut the budget in half and so it ended up in black and white. That is the worst thing about the film. There are so many flowers, so many beautiful scenes that are just crying out for color. Not to mention the beautiful female star, Jeanette MacDonald. And you simply know there is no artistic reason, no pressing need for this movie to be in black and white. A lot of movies, that's exactly OK, the way it should be. Casablanca, something like that. But not this one; it's a crying shame.

OK, the biggest complaint out of the way for now. The film is set up to be a tragedy from the start. Marsha Mornay is living in a small town under a different name, Morrison, and has not told her story to anyone. As Mornay she is extremely famous, a world known opera singer. But something has happened to change all that, and today it happens to be May Day, and she's a little down in the mouth, to say the least.

I won't step through the entire story, but she helps a young lady who has a choice of going to New York to pursue a singing career or staying here and making a life with her boyfriend. "Let me tell you my story, child," she says, or words to that effect. And with that we dissolve into flashback mode for most of the rest of the movie.

It's the 1800s, France, and Marsha Mornay is the toast of the world. Lots of great opera scenes and songs abound through this section. Also in France is Paul Allison, played by Nelson Eddy. We have a lot of different customs in the romance stuff than we're used to today. But Marsha makes a commitment to her not-so-evil manager, played by John Barrymore, that she will marry him, so she will. And mostly she feels she owes him because of all he's done for her. He has her solidly under his thumb, but she goes out to clear her head and ends up in a little nightspot where Paul is singing with the drunken common folk. All this is very nice. He presses to see her again and again, and she reluctantly gives in.

I must cut to their one big day of love. They're in the country somewhere. They've been to a big May Day festival. Then they're alone, the two of them, for some serious love. It would be beautiful in color. They sing the overall theme song to each other, known as "Sweetheart, Sweetheart, Sweetheart," and it's all very glorious. They have one big kiss (and a smaller one), she remembers her commitment to her increasingly-evil manager, so she must leave. They will marry. They do marry.

The years pass, and there's some excellent dissolving images marking this. The movie does a lot of quirky, oddball, novelty camera work, which I like.

The big climax is coming, in which, by a fluke of fate, they will perform together in New York, Paul and Marsha. Naturally when they express their emotions on stage in one another's arms, to them it's all real. And the folks think they're just good actors. So they get good reviews. But her now entirely-evil manager, and husband (you have to give him that, we are rooting for adultery), also notices the sparks between them. As to what happens next, you can probably guess. But, hey, they'll always have that day in May...

Then, back in the present day, back in the small town, the full tragedy plays out to the bitter end, which becomes a sweet ending for all concerned.

The flowers for the film must have cost a fortune, because they definitely have them everywhere. And what a shame that it wasn't in color. (Shaking fist at Louis B. Mayer).

1 comment:

GINA R-A said...

CONGRATS. ON FINDING A MAC/EDDY MOVIE. THEY MADE 8 TOGETHER.

MAYTIME (BOTH HAVE SAID THIS WAS THEIR FAVOURITE).
ROSE MARIE
NAUGHTY MARIETTA (This was their first one)
NEW MOON
BITTERSWEET
SWEETHEARTS
GIRL OF THE GOLDEN WEST
I MARRIED AN ANGEL (THIS WAS THEIR LAST ONE TOGETHER]. SOME SAY IT WAS THE WORST BUT A TRUE MAC/EDDY FAN CAN SEE HOW GOOD IT ACTUALLY IS. I HAD TO WATCH IT A FEW TIMES TO REALLY APPRECIATE IT.

There is contention (mainly between their fan clubs) that they actually had a long relationship off camera. The evidence certainly looks lik it.
Look up the website www.maceddy.com where you can look up lots on them.

GINA R-A