Memorial Day — A Widening Memorial

1904

Like everything else, holidays undergo a gradual change in spirit and observance. When Decoration day was first set apart many persons predicted that its observance would last only so long as the generations which knew the participants of the Civil War. It was supposed that there would be little present-day enthusiasm for decorating graves of Revolutionary veterans, no matter how great the popular admiration for their valor and sacrifices.

The change of name was wise. Memorial day is a broader term than the old one, and the significance of dedicating one day in the year to the memory of those who gave their lives for their country has been more broadly and fittingly recognized. Memorial day is coming to represent a solemn, serious aspect of our national life, just as the Fourth of July stands for the joyful and the exuberant aspect; and for a nation, as for the individual, "It is better to go to the house of mourning than to go to the house of feasting."

As other wars come in the long line of history, the graves of their heroes also will be decorated. There is already a tendency to hold on this day memorial services for firemen and others who fall in public service. Gradually, too, and perhaps unconsciously, the occasion has assumed something of the character of All Souls' day in Paris. Not only do we place flowers on those hallowed spots which are marked by flags, but we leave a wreath upon the graves of our own dear ones who have gone before; and this is well.

One day in the year we can appropriately give to the memory of that great army of the dead whose banners are the lily and the rose, and of which the armies of the Blue and of the Gray are but divisions. — Youth's Companion.

Simplicity is Best Style for Fashions, Home Decor

1910

Smartness of Simplicity

Secret of the Woman Whose House, Appearance and Conversation Create Best Impression

Think of the woman whose house, whose appearance, whose conversation creates the best impression and you will realize that absolute simplicity is the secret. Remember this in selecting your summer clothes, or furnishing your summer home, also when you meet strangers on your summer vacation.

Unfortunately, simplicity is not cheap. You will pay more for the hat of simple lines, the frock that is of exquisitely dainty embroidery and sheerness of material, than you will for something more ornate and dashing.

If you wish to pass a woman who knows, you will no more overload your back than you will your digestion. Better a few things of irreproachable cut and quality than an elaborate wardrobe of flaunting finery. It will doubtless mean having your clothes made to order or weary rounds of the shops in search of the simple, but it pays.

It is not always possible to have the house simple. If you rent, your landlord's taste is sure to be fancy and the fixtures and decorations will wring your heart. The furniture is up to you. There are nowadays so many good copies of artistic old pieces that there is no excuse for the hideous display of houses furnished in the middle of the last century and later.

Adopt a simple scheme of decoration for your entire house and make everything bought conform to it. This does not need the training of a professional decorator; any woman who makes a study of simplicity and keeps her eyes open for bargains in that line can achieve it.

These three rules go far in the right direction: Stick to good lines of the period chosen; do not overcrowd and buy only the best, though it must be a piece at a time with long waits between.

Simplicity of manner is the crowning touch — the real you. The rest is but the outer shell, a matter of training or perhaps of a skilled decorator, or clever modiste. Do not post, do not be affected, above all, do not boast. You may not realize it, but in meeting strangers the simple, easy, sincere manner makes a much better impression with the right people, than airs, much manner, or great assumption of place and power.

The Luxury of a Great Porch in the Summer

1912

SUMMER PORCHES

The Luxury of Living Outdoors in Hot Weather

WHAT PAINT WILL DO

Get Out Your Own Chairs, Buy Two New Wickers, Give Them a Green Coat and Then Dress Them Up In Gay Chintzes

It seems a pity that all country homes are not built with roomy, spacious piazzas. After all, the principal reason that any one has for living in the suburbs and going through all the trouble of commuting is because he wants to live in the country. Of course six months in the year it is too cold to sit out of doors, but when spring comes the suburbanite wants to enjoy the country to the utmost. He cannot do this by sitting indoors, certainly. He wants to read his paper and smoke his pipe where he can see nature's beauties spread all out before his eyes — namely, on the porch.

Modern architects are realizing more and more the need for big porches, no matter how small the house. Of course the suburbanite who owns his own home can always add to the porches if he wishes. But the others must make the most of what they have and do the best they can to make their piazza cozy and comfortable, no matter how small it may be.

You women who live in the country will find that a can or two of paint and a bolt of pretty chintz will do much to transform your porch furniture. If you have no comfortable chairs for piazza use do buy one or two. They need not be expensive pieces, but be sure they are comfortable and have pretty lines.

The wicker or reed furniture is really the most attractive for verandas, and it is not at all expensive.

You need not worry if you have two or three pieces of one kind and a couple of pieces of another variety. After you have given them all a coat of the same paint and made chintz cushioned seats and backs for them they will look enough alike to fool any casual eye. Besides, no one expects rigid formality in porch decorations.

If your house is white or gray you will find that green porch furniture will look best. Give all the chairs, tables and settees a coat of green paint and one of green enamel paint. The chintz for green furniture should contrast with it, and a figure with a good deal of red in it will be found most effective.

It may be wisest to have a cheap upholsterer make the seat cushions and backs if you are afraid to tackle so tricky a job. Have them made with some white goods as a cover. Then you can yourself make slip covers of the chintz for them. The reason why it is better not to have the chintz put right on as the first cover of the cushions is because it may soil very quickly, being where the street dust can easily reach it. If the chintz is made into slip covers they can be removed and washed when soiled.

If your house is any other color except white or gray brown porch furniture is prettiest. So you can paint your furnishings brown and use almost any gaily colored, pretty bright chintz for cushions.

—The Kingston Daily Freeman, Kingston, New York, June 24, 1916, page 7.

Beautiful Decorations on Easter Eggs

1906--

Easter eggs play an important part in heathen as well as Christian countries. Before the Christian era eggs formed a part of pagan worship and were symbolic of the awakening of nature after the long winter months. After the coming of Christ they were retained as tokens by the early Christians, and though not worshiped in that sense as the heathens did, eggs were used in decorations in the churches when the anniversary of Christ's resurrection was celebrated.

The first Christian church in Egypt adopted the egg of the ostrich as symbolic of faith, and the custom is still observed to this day in the East. Before the high altar, with its six silver lamps, ostrich eggs are suspended in the form of a wreath, one of them without ornamentation and others containing the most exquisite designs.

In the Orient ostrich eggs play an important part as an article of commerce, and the Soudan supplies hundreds for the market. In the spring of the year they are in great demand, and artists are kept busy covering them with beautiful designs. One of these eggs is on exhibition in the museum of art in Detroit, and on its shell are engraved representations of men and animals similar to the recently discovered works of art in the old ruins near Cairo.

In Japan a similar custom prevails, and the eggs of the Australian ostrich are made use of by Japanese artists for representing all the weird imaginings of their versatile minds. Many of them are beautifully painted, but as a rule the natural bluish hue of the egg is retained and the engravings thereon shaded accordingly. Beautiful landscapes are engraved on the shells, as well as portraits and scenes of daily life in Japan.

In the countries bordering on the northern coast of Africa ostrich eggs are also held sacred for purposes of worship, and they are regarded as of great value. They are ornamental in various ways and form a part of church and house decoration.

South America also follows the custom, and in the Argentine Republic every little store in the main street has on exhibition eggs of all colors and designs on the first spring day, as announced by the calendar. One particular design is usually adopted, showing a planter astride of his horse, with a young girl sitting behind him. Another popular design contains on one side a map of the republic, and on the other side two clasped hands, with a liberty cap below and the rising sun above. Small geometrical figures enclose the design. The designs are engraved rather deep, which is considered an art in itself.

This custom is centuries old, and the ornamentation of Easter eggs is regarded as a great work of art in the countries of the East. In fact, the history of the art in those far-off lands really had its birth in the crude designs which embryonic artists first etched on the shells of ostrich eggs. Strange to say, however, the United States has not as yet followed in the footsteps of other nations in this regard, though the day seems not far distant when some of the prettiest designs by the artists of the day will be found on egg shells when Easter comes and will form a part of our home decorations.

--The Anaconda Standard, Anaconda, Montana, April 15, 1906, page 2 of editorial section.