Music Ends 80-Day Sleep

1919

Talking Machine Rouses Woman After Human Voices Fail.

NORWICH, N. Y. — Neighbors, relatives and doctors for eighty days had tried to wake Mrs. Fred Tracey, 55, of Oxford, from her "sleeping sickness," but a talking machine succeeded where human voices had failed.

When, as a last resort, a record was played she became conscious long enough to inquire:

"What was that?"

Then she fell asleep again, but was roused several times after that. Her physician now states she will recover.

No More Last Forty Winks

1914

Fiend Has Invented an Alarm Clock That Simply Insists on One's Rising in the Morning

It has often seemed, after the announcement of an invention to which the attention of the entire civilized world has been called, that the human mind could scarcely invent anything more and fashion it in material form, but the countless dreams of inventors continue to be realized in astounding numbers.

Every week, every month, the trade journals advertise and comment upon new things in the lines which they represent and publish new ideas which this material labor-saving age seizes and makes its own.

An alarm clock which awakens you with the words of a disgusted wife who has breakfast on the table, and a large vessel which carries submarines over long distances by means of a "pouch" are among the newest offerings.

As an ever present need, the alarm clock will probably be put into more general household use than the ship with the "pouch" for carrying submarines. In the evening before retiring you set the clock for 6:30; at 6:30 you will probably get up. Here is what will waken you:

"Six-thirty, six-thirty, six-thirty; time to get up; get up, can't you? Get up you miserable, lazy man. Get up, get up, get up!"

The first clock of this kind was exhibited in 1900, but it cost $2,500 to make it. The present offering costs $25. If you are awake in the middle of the night and wish to know the time, press a button and the clock will tell you the nearest quarter hour as: "Two-fifteen," if it happens to be 2:13 or 2:18. The phonographic record is on an endless belt and the grooves in which the voice vibrations are recorded run lengthwise of the belt. The belt continues to give out sound until shut off when once started. So far the clocks have been supplied with belts which talk in thirty-five languages.

The Kaiser's Voice

1906

His Words Preserved on First Permanent Roll in Phonetic Archives

One of the novelties of the last few years is the establishment of phonetic archives, in which the voices of noteworthy persons are to be preserved.

The first record actually taken for such a permanent archive in America was that of a European. Through the American Ambassador Charlemagne Tower, I applied for a "record of the voice of the German emperor, for preservation in durable material in Harvard University, the National Museum at Washington, and the Library of Congress at Washington. The record is to be kept as a historical document for posterity. The Phonetic Archives at the institutions mentioned are to include records from such persons as will presumably have permanent historical interest for America. The importance of the undertaking can be estimated by considering the present value of voice records by Demosthenes, Shakespeare, or Emperor William the Great."

The Emperor consented, and the apparatus was set up in the palace. I asked for four records, one for each of the institutions mentioned and one for my own scientific investigation. The Emperor, however, made only two records, designating one for Harvard University and the other for other purposes. The two records were made by a phonograph (with specially selected recorders) on wax cylinders. Such cylinders are of no permanent value, because they are often injured by mold, and sooner or later they always crack, owing to changes in temperature.

From each original "master record" a metal matrix was made by coating it with graphite and then galvanoplating it. The wax master record was then removed (being destroyed in the process), leaving a mold from which "positives" — that is copies of the original — could be cast in a hard shellac composition and in celluloid. Some casts were also made in wax, and new metal matrices were made from these. In this manner the following material was obtained: (1) A metal matrix and positive of Record No. 1, deposited in the National Museum at Washington; (2) a similar set of Record No. 1, deposited in the Congressional Library at Washington; (3) a similar set of Record No. 2, deposited in Harvard University; (4) a complete set for both records (a metal matrix and a positive of each), which I presented to the Emperor; and (5) a reserve set of both. These are the only records of the German Emperor's voice which exist at the present time. — The Century.

Uses of the Phonograph — Backmasking, Mashups Foretold In 1878

1878

Uses of the Phonograph.

For public uses we shall have galleries where phonograph sheets will be preserved as photographs and books now are. The utterances of great speakers and singers will there be kept for a thousand years. In these galleries spoken languages will be preserved from century to century, with all the peculiarities of pronunciation, dialect, or brogue. As we go now to see the stereopticon, we shall go to public halls to hear these treasures of speech and song brought out and reproduced as loud, or louder, than when first spoken or sung by the truly great ones of earth. Certainly, within a dozen years, some of the great singers will be induced to sing into the ear of the phonograph, and the electrotyped cylinders thence obtained will be put into the hand-organs of the streets, and we shall hear the actual voice of Christine Nilsson or Miss Cary ground out at every corner.

In public exhibitions, also, we shall have reproductions of the sounds of nature, and of noises familiar and unfamiliar. Nothing will be easier than to catch the sounds of the waves on the beach, the roar of Niagara, the discords of the streets, the noises of animals, the puffing and rush of the railroad train, the rolling of thunder, or even the tumult of a battle.

When popular airs are sung into the phonograph, and the notes are then reproduced in reverse order, very curious and beautiful musical effects are sometimes produced, having no apparent resemblance to those contained in their originals. The instrument may thus be used as a sort of musical kaleidoscope, by means of which an infinite variety of new combinations may be produced from the musical compositions now in existence.

The speaking phonograph, will, doubtless, be applied to bell-punches, clocks, complaint boxes in public conveyances and to toys of all kinds. It will supersede the short-hand writer in taking letters by dictation and in taking testimony before referees. Phonographic letters will be sent by mail, the foil being wound on paper cylinders of the size of a finger. It will recite poems in the voice of the author, and reproduce the speeches of celebrated orators. Dramas will be produced in which all the parts will be "well spoken — with good accent, and good discretion;" the original matrice being prepared on one machine provided with a rubber tube having several mouthpieces; and Madame Tussaud's figures will hereafter talk, as well as look like their great prototypes! — Scribner.

—Daily Star, Marion, OH, April 22, 1878, p. 2.